Monday, April 17, 2017

"A Tip" Flash Essay



A Tip
 I earned an extra quarter tip once as a carhop at the Whataburger in Tampa, Florida, because I wasn’t wearing a bra. It was 1969, and a quarter was about what you would expect to get from a lone guy in a pickup, so this would be doubling my money.   
I was getting ready to drop out of college, which would mean the end of parental support, and this job was part of my long-range plan, which didn’t go too far past the actual dropping out. Anyway, the Revolution was coming when we wouldn’t need too much money or college degrees, and I imagined myself living simply in a big house in the piney woods along the Hillsborough River with other groovy friends after I got out of the dorm. 


The guy was a fairly average Gulf Coast redneck customer, a working man, I could tell by the putty on his hands. His truck was neither noticeably bad nor nice. We had all types of folks at the Whataburger—rednecks, stoned-out hippies with the munchies, tourists, families with dirty kids and families with clean ones. In my three weeks at the drive-in, I had already learned that the best tippers were those from up north and that the hippies tended to forget.
This guy looked kind of older, like thirty, but he didn’t try to chat me up so I’d linger at his window. I had also learned that chatting up was part of the tipping scene—as long as there was no hot food waiting to be picked up, which made the old people who owned the place and did the cooking ring the pick-up bell like mad.
I could feel the guy staring at me morosely as I went back and forth in front of his car, taking orders, delivering food, hooking the scratched aluminum trays onto partly rolled-up windows. I sensed the subtle creep vibes coming from his truck, something you can’t quite put your finger on but that a young woman learns to pick up. Just the same, I had been a cheerleader so I knew how to move in front of an audience.
The rule was that you paid for your food as soon as it was delivered, so I would only have to go back once more to get his tray. As I reached for it, I saw the quarter on the green rubber-net mat and a second one he was holding up between his thumb and forefinger. “I’ll give you an extra quarter,” he said, watching my face, “if you tell me you’re not wearing a bra.”
Of course I wasn’t. I was a hippie with my mass of frizzy hair pulled back into a ponytail and held by a rubber band, and, frankly, even though I was nineteen, I barely needed one. I was a liberated chick out on her own in the world – free, heedless, naïve. I wore cut-off blue jeans, the fraying edges high on my thighs. I can’t remember what I was wearing for a shirt, but he must have been trying to figure it out as he watched me. Or maybe he knew and wanted to let me know he did.
“Well, are you?” he repeated, not letting go of my eyes. “Are you going to tell me?”
“I’m not,” I said.
He didn’t pick up on the nuance of the reply and tossed the coin onto the tray as I pulled it away. The quarter, solid silver as some still were in those days, made a little bounce on the mat and hit the aluminum edge, not with a nice clean clink but with a hollow, flat clang. As the hot-food bell rang aggressively and I hurried to answer it, the taste of metal sat on my tongue.


           

Wednesday, April 12, 2017

A quote for writers (and other people with a passion) from Annie Dillard

I ran into this quote from Annie Dillard while reading a review of her new book, Abundance. Narrative essays old and new from Canongate Press.  It seems like it could apply to many things in this life. 

In her 1989 book, The Writing Life, Dillard wrote: "One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time . . . . give it, give it all, give it now. . . . You can't take it with you."

Writer's desk at Obras, Allentjo, Portugal . . .


 . . .  and its view of 14th Century Evoramonte Castle on the hill 

If you want to see more about Obras Foundation's residency program for artists and writers, check out http://www.obras-art.org/obras-portugal.html.

And now for some shameless self promotion: 

Writing Place: Landscape, People & the Natural World

Linda Buckmaster, Instructor

August 17-20
Registration by May 1

Sponsored by Whitehead Light Station. A three-night program held on Whitehead Light Island off  Spruce Head, Maine. Accommodations in the lightkeeper's house with wonderful meals.
Open to writers of all levels writing poetry or prose
Linda Buckmaster’s poetry and prose have appeared in over 30 journals. She has an MFA in Creative Writing and has been teaching for four decades.
For more information and to register, contact Linda at lsbuck1@gmail.com  or http://www.whiteheadlightstation.org/programs.html
 



 

Wednesday, April 5, 2017

After Last Danger of Frost is Past -- for my brother

My brother, Ric Buckmaster, died this time last year. Here is a poem I wrote for him a few months before his death. He was a surfer and saw many sunrises off the Florida beaches. He did not have an easy life.



“After last danger of frost is past”
                                    From planting directions on a seed packet   
                                   
For my brother

After last danger of frost is past,

after the final skim of ice leaves the surface of the pond,

after the mirrors of dew disappear in the clear light and
the stilled grasses lie down for your pallet,

after the fox and the sparrow and the deer gather around you,

after the winds cease and the seas calm and the struggles of this world
slip away into the woods at the edge of the field,

you will rest   at last

                        at last

                         rest

you will rest   at last

                           at last    rest